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The staff is helpful, the rooms are pretty large and breakfast is extensive. De L'Industrie. Le Beau Vallon. Chemin du Beau Vallon 38 , Namur , Belgium. It is a lovely country house in what seems a secluded setting, not too Le Val Saint-Hilaire. Again we were on our motorbikes and the small private car park at the back is a brilliant safe place to park them. This time we met the owner, as Yardley Manor Hotel. Helpful regarding parking too, bike and SUV. Even made space Hotel Le Roosevelt. We had a well appointed room with comfy beds.
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The showeroom was a caravan type cubicle, so smallish but clean and worked well. Le Riv Hotel. Hotel Les Reflets Jaunes. The manager was kind of on edge, it seemed, and the place feels forbidding, but it's okay.
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Decent location, price Le Colisee. Hotel Piano 2. Everything was perfect. Room is extremely clean and pleasant, good breakfast , free parking. I had no problems at all. Hotel Saint Hubert. Thank you Gwen for your genuine friendliness. The breakfast and 'chocolatines'were great. Rooms fine for us to sleep. Allee de Menton 26 , Namur , Belgium. Super clean, luxurious by all means - we stayed in a spacious suite. The hotel has invested in every little detail: the exceptional Well done. Martin's All Suites.
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Excellent spa and gym area. Location is in the heart of LLV with a lot of restaurants around. We barely notice the prehistoric traces and the contours of the spaces, but we can hear all the better: drops of water that, for ages, have been recreating the shape of the cave and continue to do so to date, as well as echoes of human footsteps. Edurne Rubio punctuates this soundscape with memories of the speleologists and revolutionary songs that denounce Franco's dictatorship.
A journey through space and time. The role of the sound in the dramaturgy of film documentary, fiction, experimental videos. Temporal relations between sound and image and its creative possibilities. Manipulation of natural sounds. Internal movement of sound and its spatial screening. Sound images, mental images induced by a particular sound.
The use of soundscape as a form of music, free from first level source meaning. Sound design from the personal point of view of a electroacoustic composer. Sound Design describes the idea that the sound heard when we experience a film, installation or performance, is not simply 'gathered', recorded, cut and put together; so there must be a person responsible for the overall design of the soundtrack, the sound designer. That person or team, is constructing the different layers of sound, from the foley till the use or music, or the ambiences causing physical sensations, in an aesthetically and stylistically appropriated manner.
And in the best of cases, in collaboration with the director. Vandekeybus presented at Venice Festival Her radio work has been selected on several festivals and contests. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in this dreams by a Syrian boy once shot to death for snatching his camera on the street.
The documentary includes some scenes of atrocities that Mohammed believes could only have been filmed by members of the Syrian government security forces. Mohammed and Bedirxan only met in person for the first time when she was able to escape Homs and attend the world premiere in France. My grandfather Wilhem was a former Wehrmacht soldier. If you would like to participate at one or all of the events : Please send an email to : soundimageculture gmail. Their administrative and financial assault course gives the film the aspect of a thriller.
In Shower Power we see an idea become reality, demonstrating that imagination can be the engine of citizen action when the political horizon is blocked. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a world the media has no access to.
Serge is an actor with a past as child soldier in the Democratic Republic of Congo. Reality and fiction switch when he re-enacts his childhood in a theatrical rage. A new cycle of SIC is starting in Brussels! Good News!
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Several grants are available to finance or co-finance your participation fees of the SIC cycle. Contact us for more information. It will open you to new possibilities and a collective that can assist you at different levels. A month-program in Brussels for a maximum of 10 participants : Filmmakers, artists and anthropologists brainstorming collectively on your project, personal mentoring, encounters with international guests opening you to new points of view on your project, assistance in sound design and editing.
Charo Calvo is the mentor for sound and Sabine Groenewegen the mentor for editing. A reverie about oblivion and the invisible, woven of scattered materials, archival documents and language games, for a film-book wondering about the transformation of the female body, the question of an impossible transmission and the fabric of time. Dienderen initiator of SIC.
Screenings of the first scene of An van. Festival : Reflections on the Failure of the Letter H eitch. From her on-going work on the performativity and aesthetics of the political in art, Samah Hijawi presents parts of her new project which brings monumental artworks in Belgium, together with seminal artworks from Palestine.
Through a narrative that travels across time, the performance explores the signs and symbols of history, of power and of loss in art, while reflecting on how these resonate in our urban spaces and our contemporary lives today. The narrative weaves fictive realities to question representation, nostalgia as well as hegemonic discourses surrounding Arab and Western art of this era.
Unfolding at the point where opera, documentary film, and installation meet, Mitra is an emotional tale of taboos, oppression, resistance, and solidarity based on theexperience of Iranian psychoanalyst Mitra Kadivar. In Teheran, Kadivar dedicatedly helped people with mental health issues, leading to her detainment in , as a punishment for her professional practice.
Her veracity is evidencedthrough the eye of the camera, the intonation of the voice, the timbre of the music. Mitra is a daring performance that portrays a tragic archetype of female heroismand illustrates both the resilience and the fragility of humankind. This is the point of departure for a research and an impossible as much as necessary encounter with the memory of her mother. The film is the multi-faceted trace of this research through fragments and places, casting a simultaneously visionary and very lucid gaze onto her homeland, her own places, and her beloved ones.
Du verbe aimer is an autobiographical film and a poetical essay on memory becoming story.
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A film about madness as well as a journey in self-awareness and the discovery of oneself by way of images. September 15th - January 7th, On view from 23 September - 17 December Two new SIC projects online here! Les enfants de la poule is produced by Polymorfilms and l'Atelier Graphoui , with the help of the Federation Wallonie-Bruxelles. For oralsite. Sandra Heremans : Projection. Before summer SIC got the news that the organisation will not get structural funding for the period - This summer SIC worked hard on an application to fund a project for called Fragile Fragments.