Raewyn will use the medium in proximity to the Senne valley which will engage the Brettanomyces Bruxellensis wild yeast as an agent within the film. The sensitivity of the biofilm makes it analogous to the light sensitivity of celluloid film. All the images, texts and objects collected by Guy became part of his personal story within the context of the significant history of the jungle of Calais. Uncertainty Scenarios will host a session focusing on the Sun, its influences and repercussions of radiation on the future. The impact of the Sun on life on Earth has been recognised since prehistoric times.
The Sun has been regarded by some cultures as a divinity, having influence on the course of our future by predicting misfortune or promising rising prospects. The Sun has supported the evolution of life but can also become a destructive force within the changing climate of our planet. It's energy is more than sufficient to supply us with all we need, but at the same time one big solar storm can wipe out vital life supporting technologies like electricity and Internet networks.
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While the aerial and outer space views are a magnificent instrument in the evolution of human knowledge, it also suggests a potential absence of limitations, which filled with unpredictability our close futures. Finnisage: 9 June At a specific time in the future museums all over the world will likely be forced to surrender all their ceramic objects, even the oldest items, to supply the production of semiconductor silicon.
For the third year, ERforS flied the rainbow flag together with cultural institutions, in hope of a more openly tolerant Commune of Drogenbos we can be proud of. In this video-based episode of the project, a small group of researchers attempt to heal the phantom pains of their mauled counterparts through self-designed therapeutic rituals.
Screening continuously from - Their collaboration is part of Uncertainty Scenarios, a collective experimental research project that explores the ways people throughout history have tried to speculate, predict and anticipate the future and different attitudes that go along with this.
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Amongst others Bie Michels will present the process of End to End and the group of participants will collectively activate the performance on site. Coinciding this period, Justin Balmain has been working on the research for a new upcoming film project to be produced in France in The video work 'The Symbol for Silence is Called Zero' by Justin Balmain was installed for a whole-night screening event with invited guests. Research trip and in depth introduction looked into the history of Belgian's nuclear industry, properties of radiation, the HADES research lab in Mol, and the test architecture for the Low Level waste site at Dessel, Belgium.
The title of this lecture, 'Water Finds its Own Level', is a simple, direct statement introducing a set of questions connected to the notion of liquidity, as a means to explore what we can understand as material uncertainties. Uncertainty Scenarios is a collective experimental research project that explores the ways people throughout history have tried to speculate, predict and anticipate the future and different attitudes that go along with this. After the intense 7 days full of vibrant conversations at Place de La Monnaie in Brussels as part of the Performatik Biennial 17, two installations are installed respectively at Kaaitheater and Verbeke Foundation.
At the atrium of Kaaitheater you'll find a large wall installation with portraits of all the couples that participated and quotes from the conversations, and the sculptural mobile home found a place at Verbeke Foundation where the posters and t-shirts are still available as well. Other times, 'paranormal investigators' try to communicate with ghosts.
Table of contents
From time to time, 'radio hams' make contacts, talking in a coded language and following obscure protocols. These characters and many more are building an ocean of interferences in which the background noise seems to take the first role. The composite assembly thus convened is called the Temporary telecommunication union. This session is an informal and participatory event where the audience is invited to join the discussion. The overall project Triangular Trade investigates the influence of transport and trade of pivotal materials like rubber, oil, ivory, copper, cotton, gold and uranium , but also people, on exponential economic growth, the creation of nations and other power structures.
How can we give neglected objects a new life? How can we renew our ways of approaching things? Which force and resistance reside in objects? For this iteration of the project End to End performed at the finissage of Objections , the group will work with the museum objects from the MSK itself. They will mainly use objects from the backstage of the museum, part of the museum infrastructure.
Performing Objects experiments with objects and their possibilities to act as an interactive performer towards its users or audience. In her work, through the focus on specific cultural or sociological artefacts, historical plots reveal complex webs of political, economic and cultural influences. Jean Katambayi b.
His pieces and drawings are like studies that reveal the imbalanced nature of the world and the forces within it. Open on appointment. Invited contributors: Prof.
You are invited to visit them in pairs for a discussion about what dependence and independence mean to you — at a personal, political and artistic level. The project will be translated into a growing photo exhibition at Kaaitheater. They used to hold inspiring meetings — mostly during full moon — to explore the ways in which science, technology, and art could serve society.
A newly produced facsimile of the original table has been produced in China for the 11th Shanghai Biennial. Triangular Trade investigates the influence of transport and trade of pivotal materials like rubber, oil, ivory, copper, cotton and uranium, but also people, on exponential economic growth, the creation of nations and other power structures.
The project traces back the origin of the different materials and follows their r evolutionary path as they are processed and transformed into 'world changing wonders'. Edwin Deen is interested in physical and cultural processes and the use of everyday objects and base materials. The Unity of All Things is a work of experimental science fiction about the construction of a particle accelerator on the U.
The film engages the utopian impulses of the genre, not through the imagining of another world, but through the rendering of this world as Other. All subjects are treated as alien, or as radical others, who search for, or advance different ideological, psychological, or sexual ideals of belonging. Subjects oscillate between the contemplation of past societal traumas and idealisations of futurity that refuse to synthesise or resolve, but instead reveal a troubling satire of the present.
The pertaining state of uncertainty becomes uncomfortable. Rapid advancement of formal acceptance of otherness causes alienation and a renaissance of nostalgia. Black swans, elephants, jellyfish, white ravens, etc. They represent the internalised and externalised challenges and potentials that keep futures rich. Fusing futures, aesthetics and critique, Agence Future and Avenir Institute invite you to participate in an experience of creating the un familiar Other, that speaks of reality and ways of writing yesterday, today and multiple tomorrows.
The title of this lecture is a simple, direct statement introducing a set of questions connected to the notion of liquidity, as a means to explore what we can understand as material uncertainties. Anja Veirman is an art historian with a special interest in art and divination.
Innovations in Research and Implications for Practice
This project researches different ways artists can anticipate this process during the conceptualisation and the conception of their work. The artworks made for this project will possibly manifest themselves in different locations outside the regular arts contexts. Start h. It is free of charge. The project creates a common ground for a group of artists that all share interest in the concerns of the project and aims to establish a context for the development of new works.
Theo Atrokpo from Benin will give a performance lecture where he will give insight into the world of Vodun with an introduction into its rituals, charms and performative objects. Maxime Bondu his practice involves speculation based on confirmed data in the present, past or anticipated in the future. Made of reconstructions and simulacra, Bondu's work is an invitation to grasp this element of relentless uncertainty, which is part and parcel of our reality.
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For the continuation of the project during the exhibition 'Private Tag' some members of the group will develop an installation as an artistic interpretation of an assembly line where systems of interaction between man and things will be investigated. Objects will be transformed and manipulated during performative acts, outlined in a score that leaves space to free interpretation, reflecting both on factory work and on the creative process of the artist. During the performance the group-members are constantly searching for a harmony between efficiency, planning, improvisation and reflection.
Through the techniques of Lean Management, they try to give structure to their performance in which they have to collaborate and handle objects and vice versa. Elixir harvests heritage fruits and transforms this resource during public events into all sorts of products which will be used for upcoming events of Enough Room for Space. Felix De Boeck, an early modernist Belgian painter, made his living from this orchard, as a result he was working independently as an artist without the pressure to sell his works.
The public orchard surrounding the Felix Art museum 5 HA consists of many different sorts of fruit and nut trees and other edible plants. During Performatik17, they will visit a different location in Brussels every day with their mobile house. The seven participating artists from Madagascar worked mostly on little transformations of the collected objects by improvisation.
In Madagascar, the ancient process of making bricks is still omnipresent. Exactly fitting into the human hand, it is the bearer of human scale and intimacy. July Bie Michels will travel to Madagascar to further develop this workhop on site in collaboration with CRAAM centre de ressources des arts actuels de Madagascar. The project started in April and has known several moments of exploration and presentation since.
These photographs represent the Senne and its surroundings in the colors of the regional area destinations as defined by the Belgian regional spatial planning institutions. During this session we will rework and rethink the performance score End To End developed for Assembly Line projects in Shanghai for possible continuation of the project. All guests will be seated at a replica of the oval table which was used by the Lunar Society in Birmingham , a society of scholars, amateur scientists, poets, industrialists and artists. They were inspiring meetings on how science, technology and art could serve society, social change included.
Annette Schemmel provides a highly illuminating case study of the major actors, discourses and paradigm that shaped the history of visual arts in Cameroon during the second part of the 20th century. The project traces back the origin of the different materials and follows their r evolutionary paths as they are processed and transformed into 'world changing wonders'. Report by Maarten Vanden Eynde of a research trip for the development of the project Triangular Trade. For centuries, goods and people, for a long time considered as commodities as well, have been shipped around the world.
Triangular Trade focuses on the trade between Africa, Europe and America, i. For this initial research phase the triangle was narrowed down to the Kingdom of Kongo representing Africa , New Orleans — and the Southern States representing America , and Belgium representing Europe. In the search for traces of African culture in the Southern States has is looking at material remains and influences. To continue to explore links and connections with other international research groups, 'Performing Objects' will meet with the members of 'The Disembodied Voice' from London who will come over for 4 days to Brussels.
Through critical engagement, discursive processes and production 'The Disembodied Voice' set out to investigate the relationship between the disembodied voice and contemporary visual culture. Artist Talk by choreographer Camilla Monga amongst others on her piece Quartetto per oggetti, a choreography using objects as choreographic tools. Their functions determine patterns whose directional components are unpredictable, but serve as the basis for expansion and variation of rhythm. The goal of AF is to support foresight and futures exploration in Flanders, Belgium, Europe and the world and to involve a diverse public in foresight activities.
AF pursues projects, activities, research, events, communication, education, creation, production, experiment and publication on the subject of images of the futures. During its two day participation in the biennial Performing Objects will organise a one - day intimate workshop and a one day public performance.
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For their workshop in Oslo they invite 8 artists, curators, art students and others with an interest in 'objects and their possibilities to act' to take part. A visit to the studio of Dimitri Vangrunderbeek where he will give some insight into his relation to the studio and his way of working where normal objects - such as chairs and lamps - and spaces acquire a completely new meaning. Afterwards an artist talk by Ermias Kifleyesus who will elaborate on his use of telephone booths in Brussels and in other places in the world as part of his artistic process.
Performing Objects will participate in the exhibition Prototypes, Duplicates and Cast-offs of Assembly Line Project Studio ALPS , a mobile art platform focusing on themes of industrial production, urbanization, globalization and migration. Some members of the group will make and perform an installation as an artistic interpretation of an assembly line where systems of interaction between man and things will be investigated and the group-members are constantly searching for a harmony between efficiency, planning, improvisation and reflection.