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Details to remember: 1. Tinder is free to download. More than 50 million people use Tinder , and chances are you're going to see someone who you work with on the app. Because of its popularity, Tinder is the app people love to hate. This doesn't mean the haters don't have a point, but in general, the quality of people you find on Tinder is no better or worse than you'll find anywhere else. Have faith!

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Best for men looking for a relationships. Image: chappy. Chappy Free version: Yes See Details. Chappy is the latest app to cater to the relationship-seeking crowd among gay men. Chappy brands itself as an app that caters to three demographics — people who are looking for long term relationships "Mr. Right" , those who are looking something more casual "Mr.

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Right Now" and those who don't know what they want "Mr. Who Knows". It's unclear whether Chappy will produce longer and more satisfying relationships for me than traditional apps like Grindr. If nothing else, the app at least gives people the illusion that such a partnership is in their future. Delusions schelusions, we'll take it. Chappy is relatively small and young in app terms, so don't expect the overpopulated dating pool you might find on Grindr or Scruff.

The app requires users to have Facebook for verification purposes, so it won't work for those who've rightfully abandoned the platform. You're disproportionately likely to find people like this on the app. Chappy is free to download, though as their user base grows, so too might potential in-app purchases. Best for inclusivity. Image: okcupid.

It would be great if someone developed more queer- and trans-specific dating apps. It's also not likely to happen anytime soon, due to the scale of investment required and the audience served. Dating apps need lots and lots of users to be successful, and with Tinder and OkCupid already sort of serving the community, I don't expect new ones to make major inroads anytime soon. However, OkCupid was impressively much faster than other apps to expand their orientation and gender identity options. Ralph Fiennes is splendid as their gangster boss who banishes the guilt-ridden Farrell and his partner Gleeson to Bruges to await further instructions as a solution for the mess is sorted.

Gleeson finds the city charming and makes an effort to make the most of the situation by sight seeing whilst Farrell is bored and irritable, until he lays eyes on a girl. I won't reveal any more of the plot because it is at times tragic, touching, and funny with plenty of twists and turns along the way. Most of the cast has names and faces one won't recognize, but each performance is stellar. And Bruges Belgium makes a beautiful backdrop for this entertaining film that might find you rooting for bad guys who perhaps are not so bad after all.

The movie starts off as an odd couple, buddy film, and ends with the consequences of their sins as contract killers. The movie is split into two parts. The first is about the relationship between Ray and Ken. Ray is immature and impulsive. When Ken wants to see all the medieval religious sites that Bruges is known for Ray gets bored, complains, kicks chairs, and wants to go.

He wants to do drugs, party and have sex. Ken is like the older brother who tries to enlighten his little brother Ray about the better things in life even if he resents it. Ken rather likes Bruges, while Ray hates it. That all flips in the second part which is about the two having to pay for their actions. Not only are they hitmen, but Ray broke the rules of what is allowed in such jobs. The story then becomes about whether he should have to suffer because of that or whether he can make up for it.

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Thrown in between all this is some dark comedy as well. I was surprised I liked this as much as I did from the vague description. The casting is spot on as well as the acting. It doesn't move fast like the Guy Ritchie films but it isn't his film. But if it had been it would have had Vinnie Jones!! I have never been to Bruges and maybe there is an inside joke I am missing, but I kinda wanted to get my fists out and defend their honor!

I haven't seen a lot of Colin Farrell but I bought this character completely. Mad Eye Moody awesome, I think it is cool how all of the characters creep up and grow on you. Extraordinarily well written, extraordinarily well cast. Each of the actors is so well suited to their characters that when I see others of their films, it is this one I recall. Nothing here rings hollow, nothing seems false; these present themselves as real people, so I did care what was going to happen to them.

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A truly fine film. See all reviews. Top reviews from other countries. The Movie Diorama. In Bruges attaches a cynically hilarious screenplay to its quaint tourist destination. All the canals and the old buildings and that. Have you been down, like, all the old cobbled streets and that? With the churches and that.

Bruges, an idyllic picturesque medieval town nestled in the bosom of Belgium, is home to a variety of neo-gothic structures as ferocious hitman employer Harry lovingly described. Stoic churches. Serene canals. Pizza Hut. Unable to see the beauty of humanity and its history.

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I love Dublin. Harry pauses. In what is one of the greatest, and more importantly funniest, screenplays ever conceived. The sharp dialogue crosses nearly every boundary of obscenity. Homophobic slurs. Misogynistic remarks. Hard drug use. Anti-dwarfism, and suicidal tendencies. Had it been written by any other screenwriter, these overexposed narrative dabbles would be deemed as maliciously spiteful. However, McDonagh implements a robustness to the Irish charm of his characters that enables him to bypass the unfavourable limitations of malevolence and strike the chord of twisted hilarity.

Avoiding the situational humour of American comedies and opting for a referential structure that elegantly forces the second half to be utterly whimsical. Quick-fire setups that ensue barrels of laughs whilst supplying much required character development. Ray, overridden with guilt, contemplates suicide and attempts to understand the opportunistic approach of forgiveness. A religious undertone is nestled underneath the homophobia and misogyny, granting a condemned soul a chance for absolution. Ken is the individual that dictates his future, an overseeing entity testing the morality of Ray.

Two juxtaposing yet identical characters that are portrayed perfectly by their performers. Farrell offers a career-best performance as Ray, hosting the ability to switch from anxiously twitchy and emotionally vulnerable to darkly comedic and general buffoon within a minute.

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Undeniably showcasing his talents as a character actor. He nails it quicker than falling off of the Belfry of Bruges! The two exerted tangible chemistry. Unfortunately, several contrived plot conveniences accentuate the sloppy plot that screamed for finesse. Harry reaching the bottom of the bell tower before an explicitly injured individual fell down. Harry shooting a bullet through an individual and the boatman behind not being affected.

A partially blind Eirik, thanks to Ray, working with arms dealer Yuri. Just far too many conveniences that detract from the natural flow of events, and the plot as a whole. Equipped with exceptionally terrific central performances and asinine references, McDonagh proves that referential comedy outweighs the repetitive nature of a situational structure, granting a typical hitman-esque feature a quaint makeover. Report abuse.